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Nate Sweitzer Paints Lucinda Williams For Rolling Stone
March 7, 2026
Nate SweitzerRolling Stone

Nate Sweitzer Paints Lucinda Williams For Rolling Stone

A double-exposure portrait folds a Southern main street into the singer-songwriter’s silhouette for her 16th album about dark days.

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The Fortune Teller’s Tip
March 7, 2026
Fortunate JoaquinThe Economist

The Fortune Teller’s Tip

Thick outlines and hot colors give this Economist illustration a conspiratorial energy

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Calvin SpragueHarvard Business Review

Calvin Sprague’s Second Sight

Calvin Sprague’s Second Sight

What to do when your glasses need glasses

AI goggles sit on top of the figure’s own glasses, not replacing them but depending on them. It’s a visual equation where the high-tech instrument is useless without the low-tech one beneath it.

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March 5, 2026
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March 2026 Illustration Forecast

From AI anxiety to the search for belonging — what February’s commissions reveal about where illustration is heading

A single anxiety pulses through nearly every commissioned illustration we reviewed this past month. What does it mean to be a person inside a system that keeps asking whether it needs you? In February, Paul Blow [gave the broligarchy a portrait](/articles/paul-blow-colossus-broligarchy) built from its own reading list for Colossus Magazine. Adrià Voltà [dissolved figures](/articles/the-light-grid-swallows-the-workforce-adria-volta-illustration-for-the-wsj) into a luminous data grid for the WSJ. Mia Oberländer brought [Expressionist energy](/articles/mia-oberlnders-open-plan-babel) to Bloomberg’s voice-mode revolution. Different stylistic approaches all circling the same question. The anxiety extends beyond AI into deeper questions of belonging. Dadu Shin’s [monochromatic crowd](/articles/dadu-shins-crowd-of-ghosts-for-wired-magazine) for Wired, illustrating the search for birth parents, was the month’s most devastating single image. Gracia Lam’s [outstretched hands](/articles/the-warmth-of-a-wave) for Real Simple answered that search — illustrating the importance of belonging. As a counter-balance, Sol Cotti’s [sun-drenched solo traveler](/articles/sol-cotti-brings-warmth-and-wanderlust) for NPR’s Life Kit looked at planning a solo trip. One about being seen, the other about not needing to be. Two months in and a pattern is clear. Illustration in 2026 is responding to a political and technological upheaval by documenting it. And the hands making these images are still human. Belonging will become a central subject. As technology continues pushing people apart, illustrators will push back with warmth. Expect more commissions around community, caregiving, and relationships. The most interesting illustrations of 2026 will not be made by AI. But they will almost certainly be about AI, or about what it feels like to live alongside it. We’re excited to see how March unfolds and hope you join us as we explore new published illustrations every day.

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March 3, 2026forecast
Rune FiskerNew Scientist

Rune Fisker’s Curtain Before Time for New Scientist

Rune Fisker’s Curtain Before Time for New Scientist

The Copenhagen illustrator turns theoretical cosmology into theater.

A figure grips the edge of a curtain and pulls. Two massive drapes part to reveal a dark field of scattered stars behind them. The curtains explode outward, every fold firing off beams of light like a supernova.

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March 3, 2026
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Dadu ShinWired Magazine

Dadu Shin’s Crowd of Ghosts for Wired Magazine

Dadu Shin’s Crowd of Ghosts for Wired Magazine

The Brooklyn illustrator renders the loneliness of the crowd in a single devastating monochromatic field

A woman stands alone in the middle of a crowd. Around her, figures cluster in pairs and small groups. The entire scene is bathed in a single warm pink, and everyone in it is integrated into that field except her.

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March 1, 2026
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